Vicki Valosik

The Coen brother's newest film, Hail, Caesar! channels the glamour of the Golden-era "aquamusical," the splashy, pool-centric musical genre made popular by Esther Williams in the 1940s and early 1950s. In one of the film's movie-within-a-movie subplots, Scarlett Johansson plays a sequined Hollywood mermaid starring in an Esther Williams-style aquamusical with daring high dives, spouting water fountains, and aerial shots of synchronized swimmers in shifting, geometric patterns reminiscent of thos

They slice past one another’s bodies, their sequined costumes reflecting sparkles of light in a thousand directions. He catches her foot and swings her, in a curved arc, around his body. There is a passionate pursuit, with grabbing and fleeing, a feigned strike to the face and a fleeting but exultant embrace. Like embattled lovers, their movements harmonize one moment and clash in discordant turbulence the next—and the audience loves it. This is not figure skating, nor is it ballet or even a tan

Karensa Tjoa didn’t have Olympic ambitions in 2006 when she first joined the Santa Clara Aquamaids, the most elite synchronized-swimming club in the United States. “To be honest I didn’t have much talent at the beginning,” she told me, but the team’s head coach Chris Carver, also a longtime Olympic coach, thought otherwise and took Tjoa under her wing. Tjoa’s ambitions grew, and at the age of 15 she opted to trade high school for a combination of online classes and homeschooling so she could spe

The moderator gives us a nod, and we walk in unison along the edge of the deep end. “Aaaaaand stop!” comes a call from the rear. We pivot to face the pool and bend and stretch into formation, surrounding our seven-person clump with a sunburst of jazz hands. I feel hundreds of eyes watching us as we wait for the music, smiling in our silver-and-pink swimsuits and glittery eyeliner.